Medio ambiente
“Lo elemental, lo cotidiano, las influencias del clima y hasta las mismas interpretaciones del paisaje clásico, se viven ahora en la inmensidad de la urbe, en las sombras, en los techos inclinados del perfil típico de la zona industrial, allí nos lleva para practicar no una, sino miles de veces con ese referente, que nadie valoro para elevar al tratamiento más estético. Que viva el color!. En hora buena alguien rescato el oficio sin perder el derecho a opinar y a utilizar los pretextos de la pintura como referentes cotidianos que permiten elevar a lo poético lo vanamente terrenal.Lo más claro sobre su referente lo encontramos cuando nos cuenta con su obra “El Desequilibrio” la catástrofe del sismo en Chile, o con “Vegetación Urbana”, un sembrado de postes de cemento, cubiertos con la frondosa maraña de cables de corriente y comunicación, o con “Granizada”, aquella inolvidable tarde de hielo en Bogotá, o más claro con “A la Calera”, para recrear ese romántico camino Bogotano o “Derrumbe”, para reflejar la angustia del alma por los siniestros naturales, y más definido con la serie “Zona Industrial”, donde las consecuencias del irrespeto por el medio ambiente se hace visible. Eso sin recordar un encargo de un cliente de sabana adentro que motivo su obra, pidiendo un amanecer típico de esos esteros de llano adentro, y a la vuelta encontró las altillanuras demarcadas con niveles de color como si un artista metropolitano pudiera resolver ese encargo.”
HÉCTOR RAMIREZ MORA
Curador
Medio ambiente
“What is elementary, daily, the influence of the weather, as well as the same interpretations of the classic landscape are now vibrant in the immensity of the city, in the shadows, in the tilted roofs of the typical profile of the industrial zone, and there is where we are taken to practice, not once but a thousand times, that referral, the one that no one has learned to appreciate to make it rise to the highest of aesthetics. Long live color! It´s about time someone rescued the craft without having to give up the right to state an opinion and use the pretexts of painting as daily referrals to lift what is vain and earthly to poetic heights.Her clearest referral is found in her work “Imbalance”, where she makes us feel the catastrophical earthquake in Chile; or in “Urban Vegetation”, where we perceive a “plantation” of concrete street light posts, linked to a web of electricity and communication wires; or in “Hail Storm”, that unforgettable icy afternoon in Bogotá; or much clearly with “On the way to La Calera”, to reenact that romantic road that leads to Bogotá; or “Landslide”, which reflects an spiritual anxiety concerning natural disasters; or more defined, as with the series “Industrial Zone”, where the consequences for disrespectiong the environment are made visible. She still remembers when someone from the plains commissioned a painting that would show a typical sunrise of the flat lands, but she came up with a creation full of colors from the high plateau glowing with the tones of mamoth mountains. And then you wonder if it was really a good idea to commission an artist from the metropolitan area to embark upon a task more appropriate for someone who lives among cowboys”.
HÉCTOR RAMIREZ MORA
Curator
